The Polanski Culture: Hollywood’s Push to Normalize Sex With Children

The vocal, sanctimonious Free-Polanski uproar is merely a symptom of an entertainment culture infected with a moral cancer – a culture that regularly practices up on the screen what we’ve heard them preach this last week on behalf of a confessed child rapist...

When Mrs. Miller’s informed that her son’s being molested, the Moral Center Of The Film responds that her 12 year-old boy is gay, a social outcast, and beaten regularly by his homophobic father … so maybe the best option for him is a sexual relationship with a forty-something child predator...

Rather than the repeated abuse damaging the young girl, the filmmaker portrays the rapes and molestations as a healthy and sexually liberating experience. More than once the audience is “treated” to lingering shots of Jasira’s bare legs as she discovers the joys of the orgasm while masturbating to photographs of naked women.

Kate Winslet won last year’s Best Actress Oscar for her role in “The Reader,” in which she plays a “sympathetic” Nazi guilty of mass murder who seduces and then engages in a steamy sexual affair with a 15 year-old boy. The sex scenes between this mature woman and a child lean heavily on the erotic, as opposed to the creepy. (The “sympathetic Nazi” issue we’ll save for another post.)

Yes, in just one year, Hollywood released three films that in one way or another portrayed sex with children as potentially healthy or their molester as sympathetic. And these aren’t fringe, indie films either. All three involve name stars and Oscar winners...

In 2006’s “Notes on a Scandal,” Academy Award winner Cate Blanchett plays a school teacher engaged in a steamy sexual affair with one of her students. Like “The Reader,” the sex scenes between a mature woman and her student strive for the erotic and never once does the story stop to examine how such a destructive affair might psychologically affect a teen-aged boy.

That same year, in “Little Children,” Jackie Earle Haley was Oscar-nominated for his support work as a molester just released from prison who’s the victim of that favorite Hollywood whipping boy, suburban hypocrisy.

Just two years earlier, Kevin Bacon’s heroic molester in “The Woodsman” not only saves the day and wins the pretty girl, but in his valiant struggle to “reform” he’s presented as a kind of “civil rights” metaphor as policemen and “intolerant” co-workers torment him.

The award for Most Unsettling, however, must go to 2004’s “Birth,” where Academy Award winner Nicole Kidman stars as a widow convinced her dead husband has returned in the form of a 10 year-old boy. If watching a near-forty year-old woman exchange longing looks with a little kid isn’t creepy enough, wait till they end up naked in a bathtub together...

Is it too much to ask of the Hollywood Left that they show as much intolerance towards the sexualization of young children as they do towards conservatives and Christians? That question has already been answered.

http://bighollywood.breitbart.com