Beyonce Knew Of The African Artist She Ripped
Off For The ‘Lion King’ Music Video ‘Spirit’ Through Sister Solange
Knowles Who Worked With Him Years Prior
August 6. 2019
Beyonce stole the preexisting music video of South
African recording artist Petite Noir and used the same album title
as well entitled "The Gift"
Thieving singer Beyonce is being slammed all over
social networking for her latest infringement. Beyonce stole a
preexisting music video frame for frame, for her new, flopped song
"Spirit" a part of the 2019 "Lion King" reboot soundtrack. The song
"Spirit" is also stolen from the 1985 Mike and the Mechanics #1 hit
song "Silent Running."
Beyonce stole the main scenes from a 18-minute music
video by known South African recording artist, Petite Noir (Yannick
Ilunga), infringing his work for her video that has been released
nearly 2-years later. Many people online are outraged and disgusted
by Beyonce's thieving behavior.
However, a handful of Beyonce's fans from her
dwindling fanbase known as,
The Beyhive, tried to defend her madness in so brazenly
stealing this well-known African music video that she insanely
referred to as her gift to Africa. Angry Africans on social
networking understandably slammed Beyonce's unlawful behavior,
calling her a thief and a fool for stealing from them, while
claiming she is giving to them. Beyonce's behavior does look crazy.
Beyonce stealing the video of South
African artist Petite Noir
Most in the Beyhive shut their mouths, as the
copyright infringement in the "Spirit" song and video are so
blatant. However, a few foolish ones began making excuses for
Beyonce's criminal behavior, claiming she is rich and doesn't need
to steal from anyone. Meanwhile, Beyonce and her husband got rich by
stealing from everyone (Beyonce
and Jay Z copyright infringement).
Another foolish Beyhive member tried to claim
Beyonce, whom she doesn't even know, does not know of Petite Noir.
When you run your mouth telling lies, in trying to excuse criminal
conduct, and copyright infringement is a crime in America and the
international community, you challenge people to expose said
celebrity as a fraud.
People on social networking began doing searches and
unearthed an article from 2015 in the reputable Guardian in London,
featuring Peitite Noir, where he mentions Beyonce's sister, Solange
Knowles, choosing him for a music showcase she put on. Therefore,
the Knowles' are well aware of Petite Noir. This is how Beyonce saw
his preexisting music video and stole it. She stole some of his
music as well.
Beyonce also stole from Vanessa Williams
to make her rip-off "Spirit" music video. In the left column is Vanessa Williams in
her 1991 music video "The Comfort Zone" and in the right column is Beyonce in her 2019 rip-off music video "Spirit:
Vanessa wearing her flowing reddish brown hair in
the desert (left) and Beyonce wearing a flowing reddish brown wig in
the desert (right). Both women are wearing the same make-up and
circular earrings.
Vanessa and then Beyonce wearing a
fuchsia colored v neck ensemble while laying down with flowing
reddish brown hair (Beyonce is again wearing a wig)
Vanessa laying by water wearing a blue
dress and on the right is the rip-off of Beyonce laying on water in
a blue dress
This is not the first time Beyonce has done
something like this. Solange also worked with a group of producers
in New Orleans who co-wrote, co-produced and released an album for
one of its members entitled "Lemonade." 2-years later, Beyonce
ripped off his copyrighted music and photos, and she also named her
infringing album "Lemonade." (Beyonce Slammed By Rapper For Stealing Images From His Album
'Lemonade').Therefore, this is a pattern
of criminal behavior by disgraceful Beyonce for undue financial
enrichment.
I find it amusing how the BeyHive try to hype up
Beyonce, when she's nothing but a empty headed, dimwitted, thieving
fraud. They write such foolishness about her on social networking,
such as everyone has the same 24-hours as Beyonce to be successful.
Meanwhile, while other people are out working hard, Beyonce is
sitting on her backside surfing the internet and looking for other
people's work to steal and slap her name on as writer.
Beyonce has stolen so many people's copyrights and
defrauded them out of their royalties and awards for their work in
doing so, making her one of the biggest thieves and frauds in music
history. However, this type of behavior never stands. History will
correct itself and to Beyonce's shame. As the phrase goes, God
doesn't like ugly.
As stated on the site 2-weeks ago, Beyonce stole the 2019 song "Spirit"
from the 1985 #1 hit song "Silent Running" by Mike and the
Mechanics:
Mike and the Mechanics in
1985 repeatedly sing the refrain:
can you hear
me
calling
Beyonce in 2019 repeatedly
sings:
can you hear
it
calling
Mike and the Mechanics in
1985:
rise up
and fight
Beyonce in 2019:
rise up
to the light in the sky
Mike and the Mechanics in
1985: Better you should pray to God the Father and the
Spirit
Beyonce in 2019: Whoa,
Spirit
watch the heavens open
Both songs are also about
heaven:
Mike and the Mechanics in
1985: Better you should pray to God the Father and the
Spirit
will
protect you
from up here
(up here in the song meant heaven)
Beyonce in 2019: Whoa,
Spirit
watch the
heavens
open
STORY SOURCE
Petite Noir: 'Nowhere really feels like home'
From Camden by way of Congo and Cape Town the musician is
following in Spoek Mathambo’s footsteps with his dark mix of 80s
electro and African styles, shaped by alienation, exile and a
friendship with Mos Def
Sat 31 Jan 2015 08.30 GMT - ...Petite Noir’s father,
it transpires, is a former minister of the Democratic Republic of
Congo, who took his family into exile when his colleagues started
getting fired (and shot). They finally settled in Cape Town when
Ilunga was six. South Africa taught him “everything I know – the way
I speak, the way I play guitar…” But the racism was “in your face”:
at the English school they ate lunch in the Cecil Rhodes memorial
gardens. “I started to do my own research, to become socially
awake,” he says. Around which time he heard a holler from a Cape
Town balcony, and looked up to see Yasiin Bey – the rapper formerly
known as Mos Def. Bey had recently relocated from America, and the
pair began sharing music and politics. “I don’t believe in
coincidence,” says Petite Noir.
“We were meant to bump into each other. He really is
an activist and taught me a lot about what’s wrong with the world.”
And Bey isn’t the only respected to name to endorse Noir: in
2013, Solange Knowles showcased him on her Saint Heron compilation
of experimental R&B, alongside artists such as Kelela and Sampha,
and secured his first American shows. By summer 2014 he was
playing James Lavelle’s Meltdown festival decked out in his own
capsule collection, dedicated to the Soweto youth uprising...
https://www.theguardian.com
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