Beyonce's Rip Off Documentary 'Black
Is King' Flops Costing Disney Millions Of Dollars In
LossesAugust 6. 2020
Thieving nutcase Beyonce looking like a demon ((Beyonce And
Jay Z Copyright Infringement)
This is a follow up to the Judiciary
Report articles
Beyonce Steals Preexisting 'Black
Panther' Movie Scene For Scene In Her Rip Off Documentary 'Black Is
King' (Photos) dated July 30, 2020 and
Beyonce Steals From 'Black Panther'
Movie For Her New Documentary And Album 'Black Is King' on July
24, 2020.
Yahoo Finance released a news segment
that contained information on how "Black is King"
performed on Disney Plus, where it was exclusively
released. "Black is King" is a massive flop. Only 3.99%
of Disney Plus' 60,500,000 subscribers viewed the
documentary film. Oh but wait, it gets worse. Only 2% of
Disney Plus users bothered to watch the whole thing,
with most switching off after viewing it for a few short
minutes. Yes, it was clearly that bad.
On August 5, 2020 Yahoo Finance broke the news
that "Black is King" flopped
Yahoo Finance's Alexandra Canal stated
of Beyonce's "Black is King" that "the film did not do
as well as expected." The streaming data by the 7Park
company revealed "Black is King" did so poorly on Disney
Plus it "doesn't even crack the top 5." Ratings reveals
"Black is King" came in at #13, beaten by old animated
films and "Hamilton" among other titles.
People already saw "Black Panther." As
they've been notified "Black is King" is a weird
copyright infringing rip-off of "Black Panther" [Beyonce Steals Preexisting 'Black
Panther' Movie Scene For Scene In Her Rip Off Documentary 'Black Is
King' (Photos) ] why would they need to see Beyonce's bootleg,
crackhead version of it. "Black is King" is inauthentic,
sloppy, crazy looking, poorly put together and full of
occult symbols and themes. She is insane to have done
this.
Beyonce used many occult symbols in "Black is
King"
Disney took a bath on "Black is King."
Disney paid millions to have "Black is King" made (sets,
costumes, staff, props, rentals, film crews). Then,
Disney paid millions of dollars for advertising on
social networking and television. The ads were all over
Twitter and on television channels. Only for "Black is
King" to flop and be rejected by viewers.
As stated on the site last week, "Beyonce
and Jay Z are two crazy, lame brained, ignorant idiots
who've stolen and devalued a billion dollar film
clearly, thinking it will make them a billion dollars as
well (it won't) like two vile, thieving criminals" and
"All of Beyonce's projects have been flopping for the
past several years (and getting worse) as people are
boycotting her rip-offs" (Beyonce Steals Preexisting 'Black
Panther' Movie Scene For Scene In Her Rip Off Documentary 'Black Is
King' (Photos)) . I was proven right this week, as "Black is
King" was pronounced a flop yesterday with people
boycotting it.
Beyonce's publicist has been working
overtime to put out stories promoting and spining "Black
is King" giving that piece of celluloid garbage far too
much credit, when it has made no cultural or financial
impact. As it stands, Beyonce stole and devalued other
people's preexisting copyrighted works to make "Black is
King." It's not a tribute to Africa, a continent she
knows nothing about.
Not to mention, Beyonce ripped off
Africans last year and was slammed for it (Beyonce Songs 'Spirit' And 'Brown Skin Girl' From The Movie 'The Lion
King' Contains Copyright Infringement And Contradictions
and
Beyonce’s New Song 'Spirit' From 'The Lion King' Reboot Flops On The
Charts And Its Music Video Is A Brazen Rip Off).
Beyonce is fake woke. She only began
doing items concerning Africa when people (both blacks
and whites) criticized her for constantly wearing blonde
and light brown European straight wigs and weaves,
getting a nose job and sporting pale face and body
make-up in trying to look white, when she is so clearly
black ("Beyonce
Had Plastic Surgery").
White conservatives on Twitter have been
mocking and slamming Beyonce for wearing European blonde
weaves and wigs in a documentary film about Africa.
White people on social networking are accusing Beyonce
of culturally appropriating their culture of blonde
European textured hair. The fact of the matter is
Beyonce never wears her own African hair. She's ashamed
of it, as people are stating on social networking.
Beyonce claims to be a feminist and pro-black yet
keeps stealing from black female copyright
holders/content creators (among others) and hiding her
natural hair, pictured above, but bleached European
blonde. She is a fraud a hypocrite.
Africans are also complaining about
"Black is King." Africans are stating Beyonce does not
know about their culture and is employing every
stereotype and trope of what she thinks Africa is,
despite the fact she truly does not know. Africans are
also offended by Beyonce stealing from the 1973 African
film "Touki Bouki" once again.
Beyonce ripped off the title of Kanye West's
documentary
I was informed that Disney executives
are "embarrassed by what Beyonce has done and wish they
could take her name off it" (as writer, director
and producer) as she's ripped off "Black
Panther" and other preexisting copyrights, such as the
aforementioned, famous 1973 African film "Touki Bouki."
She also packed so many stereotypes into the
documentary, it's made a mockery of African culture.
Beyonce has made a fool of herself.
Beyonce and Jay Z (pictured left) keep stealing
from the 197 African film "Touki Bouki" (pictured right)
giving no credit or payment to the copyright
owner/writer/director which has caused Africans to slam
her all over the internet
I have not seen the entire "Black is
King" documentary but from watching the trailer, which I
dissected to show infringements of the 2018 film "Black
Panther" I also saw an infringement of one of my
preexisting copyrights from 2001, in the synchronized
swimming scene in "Black is King." Therefore, Beyonce
stole from me again and devalued my preexisting
copyright in the flop "Black is King" (The FBI Is Stonewalling Congress On Releasing FBI File In Madonna
Human Rights Abuse Case (Congressional Documents)).
Even the African artists she placed in
"Black is King" are people I tweeted about on Twitter in
time stamped tweets years before Beyonce contacted them.
Ironically, I learned a lot about African artists and
culture from living in London, England twice in 8-years.
There is a large African population in London. I met
many Ghanaians and Nigerians. Some of my family members
are also half African.
Members of Madonna's sect, such as
Beyonce, Jay Z and Rihanna, are on my Twitter page and
routinely mimicking the time stamped items I tweet about
on the site. For example, when I posted about the Louvre
in Paris, not long after, Beyonce and Jay Z went and
filmed a video there (and there are many more time
stamped examples of this copying and mimicking). Beyonce
and Jay Z's music video was was met with criticism from
art lovers on the internet, who deemed Beyonce and Jay Z
too low class and vulgar to have made a music video at
the Louvre. The video was deemed tacky and cheap in
content. Thy really were out of their league. The music
video and the album flopped ("Love is Love").
I've also finally watched Beyonce and
Jay Z's video they shot in Jamaica which I
mentioned in the articles "Beyonce And Jay Z Steal From Another
Jamaican Artist Resulting In A Lawsuit" and "Madonna's Kabbalah Cult Targeting And Killing Jamaicans With The
Support Of The FBI " and they have indeed stolen from my
copyrights again for that project and arrogantly went
out to my homeland of Jamaica to film my copyrighted
work they brazenly infringed.
Beyonce seems to think stealing other
people's copyrights makes her a writer, director and
producer. The main problem is she does not have the
talent. She is not a writer, director or producer. She
is a thief devaluing other people's copyrights with her
madness.
She is disgracing herself and all who
are connected to her, by engaging in these intellectual
property crimes. She is a covetous, greedy, mean
spirited, overly competitive hater, who is going to
great lengths to defraud others for her own ill-gotten
financial and social enrichment.
Once again, here are the similarities to "Black
Panther" that I found from the trailer alone of "Black
Is King" which lets me know the full documentary is even
worse and more laden with thefts of copyright:
STORY SOURCE
Beyoncé's 'Black is King' attracts less than 4% of
Disney+ users on debut weekend: Data
August 5, 2020, 2:56 PM - Yahoo
Finance's Alexandra Canal breaks down how Beyoncé's new
visual album 'Black is King' performed on Disney+, while
the company announced that its live-action 'Mulan' film
will bypass the theatrical experience and head straight
to Disney+ as a premium VOD offering at $30...
https://money.yahoo.com
Beyoncé’s new film ‘Black Is King’ is stirring up
controversy
Posted on Friday, 24 July 2020 14:24 -
One year after the release of the album “The Lion King:
The Gift”, Queen Bey is about to unveil a new Disney
production. Made in the style of a long, meticulously
crafted music video, this condensed version of Black
history is already proving to be divisive.
“The film is not available anywhere
before its release,” warns a press officer about
Beyoncé’s new visual album, Black Is King, which is set
to be released on Disney+ on 31 July. But all it took to
attract the ire of African-American feminists,
especially the youngest among them, was the film’s
one-and-a-half-minute trailer.
Criticism of the work is going strong
and has a radical bent, with detractors calling out the
trailer for romanticising Africa as well as for its
cultural syncretism, pre-colonial aesthetic, cultural
appropriation and “Wakandafication” (in reference to the
Kingdom of Wakanda, a fictional African country depicted
by the Marvel movie Black Panther).
Jade Bentil, a Black feminist historian
and PhD researcher at the University of Oxford,
commented in a tweet: “The repeated tropes/symbolic
gestures that homogenise & essentialise thousands of
African cultures in service of securing the terrain for
Black capitalist possibilities & futures is tired.”
Judicaelle Irakoze, a self-proclaimed
Afro-political feminist who is followed by more than
30,000 people on Twitter, expressed a similar point of
view, disappointed that Beyoncé “use[s] her power and
status […] to glorify africanness rooted in power game[s]
against the white gaze.”
Just a few seconds into Black Is King’s
meticulously crafted trailer, Beyoncé appears astride a
horse, wearing an outfit made of animal hide and a crown
of zebu horns. This iconographic imagery is reminiscent
of the film Touki Bouki directed by Senegalese filmmaker
Djibril Diop Mambéty in 1973. The singer had previously
borrowed this aesthetic when advertising her “OTR II”
tour with Jay-Z in 2018, without giving credit to the
original artist.
The trailer shows Queen Bey glittering
in all her glory, with layered necklaces wrapped around
her neck and sparkling glasses framing her face, giving
off an on-screen presence that could be likened to a
bling-bling version of the Dahomey Amazons (an
all-female military army of the Republic of Benin).
Needless to say, this aestheticising phantasmagoria
created in an Afrofuturist vein is not universally
liked.
However, according to the journalist
Sophie Rosemont, it’s precisely “the role of a pop star
to make a statement through an aesthetic prism. Even if
the statement is political, it has to be packaged as
beautiful and spark people’s imaginations,” says the
author of the French book Black Power, l’avènement de la
pop culture afro-américaine (Black Power: the Advent of
African-American Pop Culture), to be published in
October by GM Éditions.
In a post on Instagram, the singer said
that she “wanted to present elements of Black history
and African tradition, with a modern twist and a
universal message.”
“It is too bad that Beyoncé doesn’t seem
to take contemporary Africa into account in her film and
has rooted its imagery in a tribal Africa. Other
musicians before her, such as free jazz artists from the
1950s and 1960s, have already revisited these roots,”
adds Rosemont. “Since that time period, pop culture has
been so deeply influenced by ancestral reference points
that it’s really about time to move on to something
else.”
Biblical and Yoruba symbolism
“The ancestors never left you,” chants
the 38-year-old star in a spoken-word style summoning
the negro spiritual songs sung by slaves deported to the
United States in the nineteenth century. Wearing a white
dress, Beyoncé evokes a sort of Madonna as she cradles a
newborn baby on the seashore. The sequence is a cross
between biblical and Yoruba symbolism.
Black Is King has a soundtrack featuring
songs from the album “The Lion King: The Gift”, all of
which were performed by Nigerian, South African,
Ghanaian and Cameroonian artists.
Kinitra Brooks, a professor of
African-American literature specialising in Black
feminist theory, notes in her work The Lemonade Reader:
Beyoncé, Black Feminism and Spirituality, published in
2019, the prevalence of references to African ancestral
religions in the film Lemonade, a companion to one of
Beyoncé’s most politically-charged albums (released in
2016) which overflows with protest songs about Black and
African pride.
In one of the sequences, Queen Bey has
fun playing the role of the Yoruba deity Oshun, the
goddess of love and fertility, protector of pregnant
women and children, and queen of freshwater.
Brooks writes in her book: “The liquid
element represents a literal or symbolic return to the
Atlantic Ocean waters which are part of the ancestral
past and collective memory. The presence of water […]
points out […] to the Atlantic journey from Africa to
the Americas.”
This bridge between Africa’s history and
diaspora has continued to influence Beyoncé’s visual
identity and sound since 2016. The problem is that this
age-old narrative has gone stale, especially if it is
not backed up with concrete action.
Black rights
Another criticism the R&B queen has
faced is that she does not tour often enough in Africa.
However, her focus has been on involving local stars in
her projects to showcase contemporary African culture.
As Rosemont points out, whereas “Michael
Jackson and Rihanna sampled a line from the hit song
‘Soul Makossa’ by Cameroonian musician Manu Dibango
without properly crediting him in their respective
compositions”, Black Is King has a soundtrack featuring
songs from the album “The Lion King: The Gift”, all of
which were performed by Nigerian, South African,
Ghanaian and Cameroonian artists...
https://www.theafricareport.com
Tina Knowles delivers hard-hitting response to critics who
claim Beyonce's visual album Black Is King appropriates African
culture: 'She has a right to her heritage'
Published: 20:01 EDT, 3 July 2020 | Updated: 03:26
EDT, 4 July 2020 - The proud mother took to Instagram on
Friday and hit back at critics who claim the pop superstar is
'appropriating' African culture in her upcoming visual album.
Black Is King, which is based on the soundtrack she
produced for the 2019 animated remake of The Lion King, follows the
story of a young king's 'transcendent journey through betrayal, love
and self-identity,' while ultimately celebrating 'Black resilience
and culture.'
Proud mother: Tina Knowles came to the defense of
her daughter and hit back at critics who accused Beyonce of
'appropriating' African culture in her upcoming visual album, Black
Is King.
The criticism from several academics began shortly
after last week's release of the trailer, which features Beyonce and
an array of Black creators and talent --some of which are from
Africa -- dressed in traditional African garb, complete with
biblical references and Beyonce's narration and soothing vocals...
https://www.dailymail.co.uk
Beyonce releases the new Black Is King visual album trailer...
after facing accusations of appropriating African culture in new
project
Published: 12:46 EDT, 19 July 2020 | Updated: 15:02
EDT, 19 July 2020 - She was recently criticized for appropriating
African culture. But the outlandish remarks haven't kept Beyonce
down, releasing the second trailer to her latest visual album, Black
Is King.
The 38-year-old beauty was seen in various looks
while narrating the darkly lit upcoming spectacular. New trailer:
Beyonce stunned in various looks including a catsuit for the latest
trailer for her Black Is King visual album that was released on
Sunday morning...
https://www.dailymail.co.uk
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